I Own The Night, The Heat's My Receipt

macrotone:

David Guttenfelder-Inside North Korea

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

(Source: ozhin, via babypaintbrush)

6tyfour:

good

(via tthieves)

black-boys:

Skepta by Philip Trengove | Backstage at Nasir Mazhar S/S 15

black-boys:

Skepta by Philip Trengove | Backstage at Nasir Mazhar S/S 15

(via eyebrowsama)

happy-victims:

Undercover

happy-victims:

Undercover

(via ultrayawn)

(Source: blvcks0vl, via queefdollaz)

thelonelythrone:

postracialcomments:

CNN’s Jake Tapper Telling the Truth about Ferguson

Jake Tapper exposing the truth! He earned his stripes today.

(via drophacking)

(Source: magnolome, via guiltybody)